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The purpose of this work is to show that the french poet René Char (1907-1988) develops his esthetic comprehension of poetry through the concepts of Nietzsches early work „The birth of tragedy“ and that Chars poetry is essentially tragic. I first analyse the concept of tragic esthetic. Tragic esthetic consists in two principles, the apollinian and the dionysian. These principles constitute the dynamic of tragic esthetic. These principles are other forms of what the european esthetic tradition calls the beautiful and the sublime, and Nietzsches concepts result from this tradition. In a second step I analyse how these principles constitute the basics of Chars poetry. First I analyse the apollinian dimension of his poems, particularly the importance of dream and the surrealistic aspect of Chars poems. Then I analyse deeper the workin...
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