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28 records were found.

Tese de doutoramento, Belas-Artes (Teoria da Imagem), Universidade de Lisboa, Faculdade de Belas-Artes, 2012
Tese de mestrado, Arte e multimédia, Fotografia, Universidade de Lisboa, Faculdade de Belas Artes, 2012
This theoretical-practical dissertation has as its central theme the videographic self-portrait. Particularly, concerns the question of the possibility to creating a selfportrait without the ability of self-recognition, as it happens with Alzheimer’s patients. To verify how a self-portrait can fail, it is necessary to realize what defines it and what its problems are, as well as understand how the use of video can promote this theme. It deals first with the theme of the duplicity of the image and the question of existing an obsession with the double, verifiable in the desire for exploration of the identity only possible through the self-portrait. In the search for that identity the performance is defined as an ideal mean of exploration. Then it comes the study of the audiovisual medium and its unique features of time, space and sound, ...
Tese de mestrado, Pintura, (Variante Curricular I), Universidade de Lisboa, Faculdade de Belas Artes, 2012
Tese de mestrado emm Pintura, Variante I, apresentada à Universidade de Lisboa, através da Faculdade de Belas Artes, 2006
Tese de mestrado em Pintura, Variante Curricular I, apresentada à Universidade de Lisboa através da Faculdade de Belas Artes, 2006
Tese de mestrado, Arte e multimédia, (Especialização em fotografia), Universidade de Lisboa, Faculdade de Belas Artes, 2012
This theoretical and practical dissertation, titled A Era dos Falsos Profetas (The Era of False Prophets), is centered around the following proposition: is it possible to engender a symbolic theory concerning artistic work of appropriation? It aims to define the work of art as a symbolic system composed of mutually dependent elements, alike the systems of language and social action, underlining its political nature. It also intends on stating that everyday life is a complex realm, whose elements can be displaced in order to unveil new and unexpected qualities. To address these propositions, ideas that originate in the fields of Linguistics and Structural Anthropology, as well as of Claude Lévi-Strauss’ symbolic notion of knowledge and concept of ‘floating signifier’ are referred. The works of Herberto Helder and Chris Marker are cited ...
Cidade, memória e identidade, espaço público e construção de lugar, espaços de representação. Que qualidade de prática artística pode actuar transversalmente a estas dimensões? Qual o potencial de tal prática para as (re)composições de memória e identidade do indivíduo na cidade actual? Estas são questões centrais à reflexão que se segue, resultante de um percurso teórico-prático transdisciplinar, atento a dimensões vivenciais e identitárias que possibilitem um acesso ao mundo através da afirmação de singularidades existentes face à tendência para a ausência de espaços de representação na cidade, consequente dos modos de actuação programados e evasivos do capitalismo contemporâneo, sobretudo materializados nas características dos chamados ‘espaços públicos’. Tomar-se-á uma abordagem crítica sobre a valorização do espaço privado que pro...
Visual imagery, narratives and locations have always been linked to the study of memory. Memory has always been linked to art history and historical shifts in the study of memory had a direct impact on the history of painting. Painting was based on stories and served to make those stories memorable. Since then there have been numerous inventions which brought painting to be declared dead over and over again. Although in contemporary art painting is no longer obliged to be of a narrative nature, this tradition continues. Looking at the work of two contemporary painters, Rosa Loy and Mamma Andersson, who paint their own personal narratives we can see that memory and locations continue to be central for narrative painting. These two painters clearly rooted in the painting traditions of their countries, have a strong sense of place, and t...
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