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Using factors of low income, parents' levels of education, and family composition as determinants of educationally at-risk status, study investigated differences between first generation, undergraduate college students from families in lowest quintile of income in the U.S, One group consisted of students from single-parent households and the other of students from two-parent households. Data were from CIRP 2003 College Student Survey (CSS) and its matched data from the Freshman Survey (Student Information Form - SIF). Differences examined included student inputs, involvements, outcomes, and collegiate environments. Included is portrait of low income, first generation college students who successfully navigated U.S. higher education. The number of cases dropped from 15,601 matched SIF/CSS cases to 308 cases of low income, first generati...
Interview with jazz musician Robert "Bob" Stewart. In the interview, Steward speaks about his early interest in music, his first drum set, first professional job with the Shorty Clements Band, attending college, his employment as a disk jockey, his definition of jazz, playing with the Charles Scott Band in fort Worth, after-hours clubs in Fort Worth, jazz's role in bringing together black and white musicians, various jazz clubs and venues in Fort Worth, musicians unions, the lack of full-time employment opportunities for jazz musicians in Fort Worth, the Fort Worth jazz scene, and peculiarities of Texas jazz and the "Texas Sound." The interview includes an appendix with photographs.
Interview with jazz pianist Johnny Case. In the interview, Case talks about his family's acquaintance with Ernest Tubb, his early interest in rhythm and blues, how his parents, Elvis Presley, and local radio stations influenced his musical career, learning to play the piano and his interest in jazz, early gigs in Oklahoma and northeast Texas, his family's move from Paris, Texas to Dallas and his playing gigs at several clubs there, moving to Fort Worth, his collaboration with Tom Morrell in producing the 'How the West Was Swung' albums, his comments about the demise of western swings, gigs and clubs in Fort Worth, his transition from playing western swing to jazz, various jazz artists, okaying for African-American audiences, avant-garde jazz and its promoters, difficulties in making a full-time living as a jazz artist in Fort Worth, hi...
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